I submitted a suggestion to add the sophisticated multi-engine FOSS soft synth that I use, Yoshimi (https://yoshimi.sourceforge.io/) which is a linux only fork of ZynAddSubFX.
This could be a useful disclaimer, to say "we are talking about recording and processing and NOT about playback".
Audiophiles demand streaming services to provide 192/24 because they see the music being originally mastered at high sample rates, and from that conclude that listening to 48/16 is a loss of "original recorded quality".
I can totally envision audiophiles picking up the Wescott's article and using it as "scientific" argument to distribute more Hi-Res music, and some half-technical manager buying that. They won't even read it.
The noise floor of 16-bit music is imperceptible so for mastered music at least 24-bits is useless. Both a higher sample rate and bit depth can be useful for recording purposes - provided the room is perfectly treated and there are no external sources of noise.
We know that 2^10 ≈ 10^3, so 2^24 ≈ 10^(3/10*24) = 10^7.2. This 7.2 is about amplitude, but what we hear is power which is quadratic in amplitude, so take a factor of 2, and you're talking 14.4 bel, or 144 decibel for 24 bit (and 2/3 of that, 96 db, for 16 bit).
